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Musings: Writer’s Brain, or, Whose Story Is It?

On a recent trip to Florida, my husband, some friends, and I took a short boat ride out to an uninhabited barrier island. We hiked out to the beach, and they pulled up a seat while I continued on to hunt shells. I was perhaps a quarter mile away when I decided to take a quick dip to cool off. As I turned to go back to shore, a searing pain burned through my foot. I stumbled out of the water, fell onto the sand, and watched as blood pumped with every heartbeat from the top of my foot. The pain threatened to cause a blackout.

Here are the things that went through my mind as I sat there:

I can’t put any weight on my foot.

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Research Is Fundamental

Lifelong Learning, necessary for everyone, is especially relevant for writers. The range of skills and knowledge needed to write well and successfully exceeds infinity. A writer’s basic attribute has to be curiosity.

I belong to the Maryland Writers’ Association, which has chapters around the state, each holding monthly meetings with speakers. The past week, I was fortunate to attend the Carroll County Chapter meeting with author Toby Devens and the Howard County Chapter meeting with author Nancy J. Alexander. Toby writes witty books about women’s friendships and struggles; Nancy is a retired psychotherapist turned author who writes the Elisabeth Reinhardt series of psycho-thrillers.

So in one week, I got a quick course in the importance of researching the facts in a novel from Toby and another quick course in developing characters from Nancy

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LOVIN’ THOSE INDEPENDENT BOOKSTORES

When Borders set up shop in Overland Park, Kansas, in the early 1990s, my fellow writers and I mourned for what we believed was the impending doom of our local bookstores. Some of us had relatives who ran local stores, and those shopkeepers told us they could never compete with the mega-store on price or selection of books. And for years it seemed they were right. One by one the local bookstores dropped out of existence. Things looked even bleaker a few years later when Amazon.com burst onto the Internet and began sucking up the book business. But today, the future of independent bookstores has taken on a whole new shine. Articles in prestigious publications including Time, Forbes, Salon, and The New York Times herald the news that indie bookstores are not dead.

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JUST ONE BOOK: TOP PICKS

If you could own a physical copy of just one book, what would it be and why? I asked this question last month and got a wide-variety of answers. Not surprisingly, several people chose the Bible, a single book that served the vast majority of people since the dawn of book publishing and ownership just fine. Other top must-haves for the digital age included cookbooks and other guides, marked-up editions, collections, and a random assortment of personal favorites, including memoirs, social analyses, and fiction.

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What Writers Can Learn from Tolstoy’s Novellas

I’m shocked when I read lists of favorite novels and see that most, and sometimes all, are American. There may be a leavening of British authors too; that’s something. Still, I think, haven’t you read the Russians or the Germans? You really think Toni Morrison or Jonathan Safran-Foer are better than Tolstoy or Musil? Anglo-Saxon culture is lamentably insular, and American culture is not merely insular but downright provincial these days. The greatest weakness of the writing done by creative writing students—graduates as well as undergraduates—is that it’s so rarely informed by wide reading. And however unfashionable it may be, my remedy is to send them to the canon. Not “back to the canon”, sadly, because most of them aren’t familiar with it in the first place.

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What Rachmaninoff Can Teach Us About Writing

Tamsin Silver, writing for the Magical Words blog, asked recently whether too many books on writing, too many classes and too many rules can interfere with one’s creative instinct. Clearly that’s a danger, a trap to avoid. Her post also got me thinking how Rachmaninoff might have gone about composing his third piano concerto and whether that sheds any light on Silver’s question.

Writers who seek to improve their skills are naturally drawn to books, classes, workshops, critique groups, etc. While all of the above can be beneficial, it’s also possible to drown in the deluge of available resources, many of which promise to reveal the secrets of a successful writing career––i.e., one that pays the bills and the occasional vacation.

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MURIEL SPARK NOVELS

READING MY WAY THROUGH MURIEL SPARK On Goodreads I posted the question, “Who writes like Barbara Pym, one of my favorite authors?” A friend replied that I should try Muriel Spark’s A Far Cry from Kensington. There began my reading of Spark, an author who had escaped me, though she was twice short-listed for the Booker Prize and in 2008 included by The Times as among Britain’s top 50 writers since 1945.

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A Course in Decision-Making

Writing is full of decisions. Did a writer make the best choice of words, plot points, structure, characterization? Recently, a writer friend asked me and other writers to respond to the questions below. How would you respond?

Question: At what point is too late to introduce a new character? An editor who looked at her book before said everyone needed to be introduced somehow before the sixth or seventh chapter. But when she tried to do that, it seemed cluttered and disorganized. She has read many books, great books, where characters come in much later. Is there a rule about this?

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Goodies From My Book Groups

A friend of mine was in four book groups for many years. She couldn’t help herself. Whenever she heard about one, she thought she’d give it a try and quickly found herself hooked.

I’m now in three book groups, so I understand. One is with friends, another is at synagogue, and the third is at a home for seniors. Each group has its own personality, and I wonder how I ever managed with only one.

Without these groups, I’d have missed many a good read and discussion. They introduced me to Harriet Scott Chessman, Howard Norman, and so many more.

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IF YOU COULD OWN JUST ONE BOOK

Library on Desert Island The other day I left my computer in the middle of a writing project to look something up. I actually left my chair, pulled a book from grad school from my bookcase, scanned the index, and turned to a page that suddenly looked familiar, marked up with notes I had left like breadcrumbs. I hadn’t done anything like that in years.

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Are You a Writer or an Author? The Business of Writing

If you read any self-publishing magazines or blogs, you’ll come across dozens of columns on how to build your brand, use the latest marketing techniques, and approach your writing as a business. Anyone who is a business person first and an author second will decide what to write about based on their analysis of what the market is looking for. They will plan their marketing campaign early in the process, and spend thousands on pre-release publicity, on an audio version, and on a marketing firm that promises to put their book on the shelves of bookstores and libraries.

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When Your Favorite Author Breaks Your Heart

Musings: When Your Favorite Author Breaks Your Heart

I’m a frequent reviewer for both the daily Washington Independent Review of Books (WIRoB) and the quarterly Historical Novels Review of the Historical Novel Society (HNS). As an author and avid reader, I find that reviewing offers a host of benefits for me. Not only do I end up reading books outside my normal genre preferences, which is good for me as a writer, it also introduces me to wonderful debut authors about whom I then get to spread the good word. Completely selfishly, it’s also pretty cool to have, say, Viking or FSG quote me in a tweet to their vast legions of followers.

But the cherry on top of the pie is the chance to review my favorite authors’ latest books.

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A Sense of Place: Learning from Richard Russo

A Sense of Place: What We Can Learn From Richard Russo

When I was in graduate school and working on an early version of my first novel, Hawke’s Point, my thesis advisor asked me if I’d read Richard Russo. I hadn’t, but when he said my writing reminded him of Russo’s, I rushed out to get everything I could lay my hands on. The advisor’s comment was reinforced when a reviewer of Hawke’s Point also cited a similarity to Russo.

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MORE WORDS TO WRITE BY

A while back I shared some favorite quotations about writing, literature, and art that I’ve kept posted in my office for decades. I’ve printed and laminated these snippets whenever I find them since high school, and keep them taped to my desk drawers and file cabinets alongside a few pithy cartoons and family photos. Here I’ll share a few more favorites that have inspired, delighted, and consoled me over the years.

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PREVIEW OF OUR JULY 1 GUEST BLOGGER, BETTY MAY

PREVIEW OF OUR JULY 1 GUEST BLOGGER, BETTY MAY–Betty May is a theatrical director, writer, and clown. For the past eight years Betty has worked with a group of Lifers at the Maryland Correctional Institution for Women. She went into the prison in response to a somewhat bizarre request: write a comedy about life in prison. While she continues with her writing and her work as a theatrical director, clown, and circus coach, she is totally committed to advocating for the women who have become her friends, and lobbying for progressive changes in our judicial and penal systems.

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The Magic Bookshop of JK Rowling

J.K. Rowling’s Magic Bookshop

The most beautiful bookshop in the world is surely Lello e Irmão in Oporto. It is the bookshop J.K. Rowling used to visit when she was an English teacher in Portugal in the eighties (as I was), and the one whose spectacular staircase—a neo-Gothic carved extravaganza—inspired the one at Hogwarts. For this reason alone, perhaps sadly, it has become a site of pilgrimage for Potter fans

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Why I Write Thrillers

If you asked me ten years ago what genre I’d be writing when I started writing novels, I would not have said thrillers. Yet from a dozen false starts, I picked a thriller for the first novel I tried to complete. That became The Expendable Man, which some still rate as my best story. And what is the genre of the story I’m working on today? You guessed it––a thriller.

Thrillers are one of the most competitive genres these days in terms of sales and numbers of books published––along with romances and mysteries. Why? What is it that attracts both writers and readers to this genre? I have some ideas. Let’s see if they make any sense.

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HopeWorks – Healing Through Art

6/17/2016 – HopeWorks: Healing Through Art

Michael Caine once chastised an actor who had delivered a particularly wooden performance by saying, “Acting is about emotions; why don’t you show some?”

Poetry is also about emotions. Last night I attended an outstanding poetry reading at the monthly meeting of the Howard County (MD) Chapter of the Maryland Writers’ Assn. The poems read had appeared in the Dragonfly Arts Magazine, a publication of HopeWorks, Howard County’s sexual assault and domestic violence center. The poems are reflections on life, love, trauma and hope, and

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6/10/2016. CAN A MOVIE BE AS GOOD AS THE BOOK?

6/10/2016. CAN A MOVIE BE AS GOOD AS THE BOOK?

I love movies almost as much as I love books. And, thanks to Netflix, I watch as many of them as I can. Unfortunately, movies based on high-quality fiction rarely seem to achieve the richness of the original novels. Nevertheless, novels have become popular sources for movies. Of the eight movies nominated for the 2016 Best Picture Oscar, four were based on novels. Three of those offered stories that didn’t interest me, but I was eager to see Brooklyn. In my opinion, it was an all-right movie, but even though I haven’t read the novel, I kept thinking the novel surely offered so much more. The main character, Eilis Lacey, was appealing but not engaging.

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Cozy Mysteries Offer Guilt Free Escape

6/7/16 — A Cozy and Guilt-Free Escape

I owe a debt of gratitude to public TV because PBS made me a fan of cozy mysteries. I didn’t even know the term when I first met the writer Dorothy Sayers through Ian Carmichael’s portrayal of Peter Wimsey, the upper-crust dilettante who solved murder cases with wit and his trusted valet.

Some people restrict the term cozy mystery to stories that occur in small towns, like Miss Marple’s village of St. Mary Mead, but I think that’s too limiting. The distinction, I think, is what action takes place off the page or off the screen. Cozy mysteries are family entertainment; there’s no graphic violence, no graphic sex, and no reason to cover your eyes.

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YOU CAN GO HOME AGAIN: VISITING WRITERS’ HOMES

6/4/16 – YOU CAN GO HOME AGAIN: VISITING WRITERS’ HOMES

Touring Thomas Wolfe’s childhood home in Asheville, NC recently, I saw, like many others before me, how his childhood translated into his novels. I also saw how growing up here had in many ways been perfect soil for a budding writer.

A kid separated from his siblings to grow up in a boardinghouse, share bedrooms with guests, and help his enterprising mama serve up stews would have plenty of material to ponder, and time to ponder it. Having a maverick but grief-stricken mother and the temper and passion of his father on hand didn’t hurt either. I wondered whether I might find equally conductive conditions in the childhood homes of other writers.

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A New Path for Literary Fiction

A New Path for Literary Fiction

We need a revolution, not just in politics, but in literature. It’s long been apparent that most fiction writers are stumbling blind down one of two dead-end streets—either trying to rewrite the nineteenth century novel, or else writing so-called ‘experimental’ fiction, usually based on postmodernist principles, often cleverly enough, but for me most of them are unreadable, because they’re little more than cerebral and linguistic games. Obviously I’m generalizing, and naturally there are exceptions. Still, I stand by my thesis: most current fiction, especially in America, and especially if we consider the literary stars, is neither engaging nor significant, and I want to consider why that is and what can be done about it.

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The Rogue Wave

5/17/2016 – The Rogue Wave

Last night I watched the movie, Abandoned, about four men lost at sea for more than 100 days after a rogue wave wrecked their sailboat. When they were finally rescued, the media expressed intense skepticism. People didn’t believe their story until a close examination of the wrecked boat proved the sailors told the truth.

The movie brought back memories of living on a motorsailer called the Hardtack for three years back in the seventies. A motorsailer is a hybrid between a sailboat and a powerboat. Our boat was a heavy, double-planked classic yacht designed by famed naval architect John Alden. The single mast was stepped to the full keel and 58 feet high. However, the boat also had a heavy-duty Caterpillar diesel engine.

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Writers Can’t Get Enough of World War II

5/7/16 — Novelists Still Intrigued by World War II

What is it about war that produces such compelling literature? And what is it about World War II, in particular, that continues to capture us like none other?

As long as there has been war—and that’s since the beginning of time—storytellers have been trying to capture the experience, first to preserve it for history (think epics like Homer’s Iliad) and then to try to make sense of it. They have tried to explore it as tragedy (Shakespeare’s Henry V), as philosophy (Tolstoy’s War and Peace), through psychology (Pat Barker’s Resurrection), as memoir (My War: Killing Time in Iraq by Colby Buzzell) and even as comedy (Joseph Heller’s Catch 22).

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WRITING ACROSS GENERATIONS

5/4/16 – WRITING ACROSS GENERATIONS

Nothing is quite so thrilling as seeing your writing come alive—except perhaps bringing it to life with the help of your own offspring. In my case, the thrill came from seeing a play I had abandoned decades ago reborn when my composer son offered to write music for it. By writing across generations, we created something far better than anything I could have imagined on my own.

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