I am reading Proust. Again. And it’s like I never started.
After years of neglect, I decided to try to read all three volumes of Remembrance of Things Past. How depressing it was to discover a bookmark towards the end of Volume 2. I had no memory of making it so far. I also had virtually no memory of anytihng I had read. (Continue Reading)
On June 1, my novel While You Were Gone, about three sisters navigating life and love in the “new” South, will be published by C&R Press. Even though While You Were Gone will be my fifth book, the writing does not get easier. Each new project comes with different problems and challenges.
Here is the synopsis for novel: As young adults growing up in Chattanooga, Tennessee, the three Nash sisters are still haunted by their mother’s early death. Shannon, the middle sister, wants to be an investigative journalist. Paige, the youngest, wants to channel Bessie Smith, her mother’s favorite singer. Claire, the oldest, desires stability through family and career.
When their father is diagnosed with terminal cancer, the sisters cope with the loss in different ways. (Continue Reading)
Excellent Women
Just over a week ago I was reading a column in the magazine of the Expresso, a Portuguese newspaper, by Ana Cristina Leonardo, whom I appreciate for her ironic wit and culture. It was called ‘Curses and Poor Diction’ (in Portuguese, the title was the far more euphonic ‘Maldições e Más Dicções’) in which, as a relief from what she called ‘interesting matters’ (which I took to mean idiotically fashionable or politically correct terminology), she recommended the novel Excellent Women by Barbara Pym. As I happened to have a copy unread on my shelves, in English, I plunged into it, and am glad I did.
Barbara Pym’s name is not well-known in the States these days, if indeed it is even in England, her home country. (Continue Reading)
Thrillers tend to be plot heavy and character thin. Usually, however, the primary protagonist is more complex by necessity since he must drive the plot like a race driver behind a Peugot.
Gabriel Farago’s history based thriller, The Empress Holds the Key, is unusual in that instead of a single protagonist, he gives us at least half a dozen main characters. As a result, each character of necessity is secondary to the underlying story, which is not always a blessing.
In several instances Farago’s plot moves past a character so fast loose ends are left behind. Jack Rogan, an investigative reporter, seems to be the primary protagonist early on along with Jana, a woman he dated in the past and who comes back in his life with a case that interests both. (Continue Reading)
Among books I pulled off my shelves in search of especially interesting beginnings, Robert Penn Warren’s All the King’s Men struck me not only because it’s captivating but because it captivates by description. I must warn the reader, however, that this 1947 Pulitzer Prize-winning novel is set primarily in the U.S. South between the two world wars, and its first-person narrator employs racist slurs as a matter of course. But, really, isn’t it better that we face our heritage as a country of slavery and racism?
So if you are willing to accept being shown in the national mirror something we are collectively ashamed of, I ask whether you’ve ever read better descriptive prose than Warren’s beginning of All the King’s Men or whether you’ve ever been more drawn into a book by a descriptive beginning? (Continue Reading)
I’m reading mysteries featuring elderly sleuths, and I’m looking for descriptions that allow the elderly to be whole, able, and alert. No other will do. My own cozy mystery series features the 90-year-olds at Whisperwood Retirement Village, and my characters are able, alert, and active as are many 90-year-olds and 100-year-olds.
As the critique group of my first manuscript read and commented on it, I was appalled at what they said. They wanted me to present the elderly, or rather, the perennials, using all the stereotypes of the elderly, when I am pulling for a better reality. Have you seen 90-year-old Dick Van Dyke dancing with his wife on YouTube?
So I began collecting articles about people in their 90s and 100s who are running marathons, winning tennis matches and canoeing races, even learning how to read for the first time. (Continue Reading)
Readers are pulled into a novel by the promise of a fascinating story. They finish the novel, though, because of intriguing, realistic characters. Here are a few “do’s” and “don’ts” that may help readers connect to your characters.
DO use real people. Everyone you know has a story that can enliven a fictional character. When you discover that your neighbor whom you’ve known for ten years did jail time for torching a baby food plant, you see everything else about her in a different light. Those same people probably also have interesting traits—Sally likes to flip a quarter across her knuckles—or annoying habits—Henry hums “Muskrat Love” as he eats . Be careful, though, that you . . .
DON’T use real names. (Continue Reading)
In “Spirit of the Law,” a short story I’ve written, I wanted to explore life after death and something else—how the dead go on living or not living, if only in our memory, in the physical places where we’ve known them.
Of course, I’m not really capturing what life is like after death. It’s my imaginative portrayal of one woman’s experience, and it’s a way of articulating metaphorically how the dead live on in our minds.
It helped to read that Bernard Malamud would write eighteen drafts of a story, working until he got it right. It takes that kind dedication to find a story’s heart. To reach her readers, a writer needs the same kind of persistence as a religious person does in her determination to reach god. (Continue Reading)
For too long, Joan Silber has labored in the shadows, her work overlooked, underappreciated and read by too few. I’m here to correct that. Or at least give it my best shot.
I just completed her latest novel, Improvement, and it is a stunning work, full of subtlety and insight, conveying an understanding of how ordinary people struggle to make something of their lives. Politicians who want to connect with “real” Americans would have a better chance of doing so if they studied Silber’s work, beginning with Improvement.
Reviews often describe this novel as one of linked short stories, but I don’t think that’s fair. While most of the chapters can stand on their own (and some were published that way), they are more linear and more intertwined than the linked-story novels you may be used to (think Elizabeth Strout’s Anything Is Possible or Olive Kitteridge). (Continue Reading)
I asked these questions last month (Audiobooks: The Chinese Food of Literature) because I noticed that listening to audiobooks was not as fulfilling as reading books. Audiobooks obviously have a place, and considerable merits. But even when I’m “reading” an audiobook, I still feel hunger for a book. A real book.
Despite the audiobook ads claiming that “listening is the new reading,” the experience I have with audiobooks doesn’t feel quite like “reading” to me. I wondered if anyone else felt similarly. (Continue Reading)
Thinking about how novels begin, I recently pulled many books off my shelves and was surprised by how unspectacular the beginnings of most seemed to me. There were exceptions, however. Consider:
Her first name was India–she was never able to get used to it. It seemed to her that her parents must have been thinking of someone else when they named her. Or were they hoping for another sort of daughter? As a child she was often on the point of inquiring, but time passed, and she never did.
Thus begins Evan S. Connell’s Mrs. Bridge published in 1959. (One wonders if today’s editors would let the passive voice of the second sentence stand.) (Continue Reading)
I recently interviewed English writer Roz Morris about her new book, Not Quite Lost: Travels Without a Sense of Direction (Spark Furnace, 2017), a delightful collection of essays that mixes travel and memoir. This interview is in the current (winter) edition of Rain Taxi Review of Books.
Many Lives Passed Through Place: An Interview with Roz Morris
The English Teacher by Yiftach Reicher Atir, translated by Philip Simpson, Penguin Books, 2016
A former Israeli intelligence officer, Yiftach Reicher Atir gives us a novel of a young woman recruited into the Israeli Intelligence Service–the Mossad––based on his vast experience. In a foreword, he describes the novel as “the true story of what never happened.” In other words, it is true in the sense that this is how the Mossad operates and how lives can be shaped by their methods.
One might expect such a novel to be exciting––a page turner. It is not. The problem is instead of telling it largely from the point of view of the primary character—the young woman, Reicher Atir tells the story from too many viewpoints including at times himself as the author. (Continue Reading)
Back in September in this spot, I was ruminating on the joys and sorrows of writing historical fiction, and what could possibly motivate writers to pursue such a demanding genre. Many of us are drawn to specific points of inspiration, and I mentioned D.C.-based author Carrie Callaghan‘s encounter with a painting as one example. I went back to Carrie and asked if she’d like to share in more detail what drew her to this project and what kept her hooked through long bouts of research. Here’s what she said:
I Stopped and Stared
In the painting, she’s wearing a stiff lace collar as wide as her shoulders, and fine lace cuff at her wrists. In other words, no clothes a painter would actually paint in. (Continue Reading)
As I write this, snow is predicted for tonight. Temperatures have been in the teens and below but hovering during the day in the 20s. I walk my dog outside in this weather. I’m ready for Florida.
I once lived on a boat, sailed into Fort Lauderdale and stayed there for 15 years. I didn’t live at the Bahia Mar Marina like John D. MacDonald’s Travis McGee, but rather up the north fork of Fort Lauderdale’s New River. That’s when I began a love affair with books, especially mysteries, set in Florida.
What is more raucous and hilarious than a mystery by Carl Hiaasen. His characters, like the roadkill-eating ex-governor, are weird, but no weirder than many of the people I actually met in South Florida. (Continue Reading)
Larry Fondation is the author of five books of fiction, all set primarily in the Los Angeles inner city. Three of his books are illustrated by London-based artist Kate Ruth. He has written for publications as diverse as Flaunt Magazine, the Los Angeles Times, Fiction International and the Harvard Business Review. He is a recipient of a Christopher Isherwood Fiction Fellowship. Four of his books have been published in France. In French translation, his work was nominated for SNCF’s 2013 Prix du Polar. His fifth U.S. book, Martyrs and Holymen, will appear in France in September 2018. His sixth book, Time Is the Longest Distance was released in December 2017. We recently discussed writing, L.A., and his new novel. (Continue Reading)
What exactly is folk art?
When I was on a tour at the Abby Aldrich Rockefeller Folk Art Museum in Williamsburg, Va., a guide asked me if I knew what folk art is. I’m an antique collector, and I’ve seen a lot of what I thought was folk art, but I don’t have an exact definition.
The guide suggested that folk art is created by artists who have no formal training in art. Consequently, she said, most folk art paintings lack perspective or at best have very primitive use of perspective, such as outlines. As an example, she pointed out the dark spots beneath the children’s hands in one of Edward Hicks’ versions of “The Peaceable Kingdom.” The painting she was talking about, which hangs in the museum, is shown at left. (Continue Reading)
A good novel can keep readers turning the pages as they try to guess what will happen. Nonfiction writers have the challenge of keeping readers interested even if they know what will happen. Candice Millard succeeds beautifully in Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President, a page-turner about a president most Americans never think of, James A. Garfield. With her skillful storytelling, she brings the long-forgotten president to life and shows him to be a man of courage, brilliance, modesty, integrity, and goodness.
Garfield, the twentieth U.S. president, was shot just four months after his inauguration and died eleven weeks later. His short tenure robbed him of any chance at achievements and renown. (Continue Reading)
I’ve got that craving again, that gnawing, empty feeling I get when I am not reading a book. Over the holidays I tidily finished up Henry James’s Daisy Miller , Paul Auster’s Mr. Vertigo, and a nonfiction book. Since then I’ve been tearing through old magazines and listening to audiobooks. Just yesterday I spent four hours listening to an audiobook while on the road. And I will listen to more of it when driving into town today.
This audiobook is superb: Sebastian Haffner’s memoir, Defying Hitler. I look forward to finishing it. And yet I feel empty, and bookless.
Remember that old saying about feeling hungry again an hour after eating Chinese food? I’m beginning to wonder if audiobooks are the Chinese food of literature. (Continue Reading)
12-17-2017 Give a Book, Inspire a Life
Gift-giving season is here, which always makes me consider the perfect gift, a gift that is not only thoughtful but sets the imagination afire. Not like handkerchiefs or ties or socks or shirts that nail you to the ground and don’t produce even a spark of an idea.
Books. That’s the ticket. Books have changed my life, and I’m sure they’ve changed yours. Books are my favorite gift to give and to receive. The two gifts I remember most from my childhood, other than my bike, were the first series book I read, Cherry Ames, Student Nurse, which I couldn’t put down, and a nonfiction book called Lost Treasure Trails by Thomas Penfield. (Continue Reading)