fiction Archives - Late Last Night Books

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Thinking of Ireland and Edna O’Brien

In May, as Ireland voted to end its ban on abortion, I thought back to the Ireland of my youth and to Edna O’Brien, the Irish-born novelist whose vivid and unself-conscious description of sexuality shocked her native land.

When I was twenty-one, I traveled from New York to Europe with a college friend. The last week of the trip was the most exciting and the most terrifying for her. We were to visit her extended family in Ireland and meet her boyfriend from home, who was on vacation with his family. She worried that the garda, the Irish police, would somehow find the birth control pills she’d hidden in her purse, or the hotel wardens would catch her and her boyfriend sharing a bed.

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Little Town, Big Exposure: A Visit to the 9th Annual Gaithersburg Book Festival

Bad Weather Doesn’t Stop Book Lovers

In the opening hours of the Ninth Annual Gaithersburg Book Festival, the skies were an ugly steel gray and the precipitation shifted across mist, sprinkle, drizzle, and steady rain — and still the book lovers came out in force. Sporting umbrellas and rain ponchos, they were ready to hear their favorite authors read from and discuss books at the different literary tents, browse the new and used bookstores and independent booksellers, get their books signed while chatting with those favorite authors, grab something tasty from the food vendors, and go back again for more.

Of the many book festivals that the Baltimore-Washington area now enjoys, Gaithersburg is my personal favorite. Though it often draws over twenty thousand attendees and attracts many nationally known authors, it still has a very intimate feeling.

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Interview With Author Frank E. Hopkins

And the winner is… Abandoned Homes: Vietnam Revenge Murders by Frank E. Hopkins was recently named best book of the year in the mystery/thriller genre by the Maryland Writers’ Association. It’s a tale of murder discovered thirty-five years after the crime, and the novel allows Hopkins to reach back to the Vietnam War era to explore the anger and division that tore America apart. Frank, who is also the author of two other novels—Unplanned Choices and The Opportunity—was kind enough to talk with us about his work.

Frank, I’d like to start with a question I sometimes ask myself. You and I both started writing seriously – or at least started publishing – after we retired. Do you have any regrets that you didn’t begin much earlier?

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Short Story Collection: Don’t Wait to Be Called

At the Washington Writers Conference coming up in May, I’ll be moderating a panel with four local authors whose debut books made it to publication through very different paths. Each book is also a different genre — memoir/journalism, biography, novel, and short story collection — which means I’m reading four very different books to prepare for the panel.

The short story collection, Don’t Wait to Be Called, is by Jacob R. Weber. Publication resulted from Weber’s winning the annual fiction prize given by Washington Writers’ Publishing House, a non-profit small press that publishes authors from the Baltimore/Washington area. Weber’s roots, which are on display in his stories, hedge towards the Baltimore end of that geography.

Weber’s biography reads like someone who has lived a few different lives, as a Marine, a translator, and an English tutor to adult immigrants, as well as a waiter and a retail clerk and manager.

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Elderly Sleuths Kill Stereotypes

I’m reading mysteries featuring elderly sleuths, and I’m looking for descriptions that allow the elderly to be whole, able, and alert. No other will do. My own cozy mystery series features the 90-year-olds at Whisperwood Retirement Village, and my characters are able, alert, and active as are many 90-year-olds and 100-year-olds.

As the critique group of my first manuscript read and commented on it, I was appalled at what they said. They wanted me to present the elderly, or rather, the perennials, using all the stereotypes of the elderly, when I am pulling for a better reality. Have you seen 90-year-old Dick Van Dyke dancing with his wife on YouTube?

So I began collecting articles about people in their 90s and 100s who are running marathons, winning tennis matches and canoeing races, even learning how to read for the first time.

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Character Traits and Personality Types

11/17/2017 Character Traits and Personality Types

In my 90s Club series, the 90-year-olds sometimes use stereotypes of the elderly to mislead their quarries into thinking they are harmless. My characters are able, alert, and active—as many 90-year-old and 100-year-olds are nowadays. In my writers’ critique group, I was appalled to hear my fellow writers push for the stereotypes as more “believable.” Most of us today avoid and dismiss the stereotypes of African-American, gay, Italian, Greek, Scandinavian, blonde, etc., I hope we’ve all gone beyond the use of eyeglasses to show an intellectual, studious, or nerdy person, a person who when she or he whips off the glasses, suddenly becomes sexy or strong. Think Superman. It still happens in the movies and television, though, where the elderly continue to be the victims of demeaning and sometimes vicious stereotypes.

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An Interview with Xu Xi: writer, teacher, editor, and roamer of the universe

I first met Xu Xi, who was on faculty, when I was a student earning my MFA at the Vermont College of Fine Arts low residency program. She was my mentor for my final semester there in 2005, and since then has become a lifelong mentor to me, in writing and in life. Always busy with writing, traveling and other projects, Xu Xi was still gracious to answer some questions about her work and writing life.

Xu Xi is the author of twelve books, including five novels, five collections of short fiction & essays and most recently a memoir DEAR HONG KONG: AN ELEGY TO A CITY, released July 1, 2017 by Penguin as part of its Hong Kong series for the 20th anniversary of Hong Kong’s handover to China.

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The Joys and Sorrows of (Writing) Historical Fiction

A friend of mine is an author whose favored genre is contemporary noir fiction—hard-boiled, edgy, dark. Since that’s what he writes, that’s also what he reads. Without prompting, though, he read my novel of historical fiction set in turn-of-the-twentieth-century Washington, D.C., a story that could never be described as “edgy”. Graciously, he told me what he liked about it, but concluded by saying, “I write fiction so I can make [stuff] up. Historical fiction seems like way too much work.”

He’s got a point. Fiction is supposed to be fictional, right? Why go to the effort of having to do a ton of research and ensure detailed accuracy (because you know how those historical fiction fans are about that) when the story is supposed to be invented?

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AN INTERVIEW WITH M.O. WALSH, AUTHOR OF MY SUNSHINE AWAY

M.O. Walsh

When M.O. Walsh released his debut novel My Sunshine Away, reviewers named him the newest member of the Southern gothic literary tradition. The novel, which I reviewed on Late Last Night Books here, offers the rich atmosphere and haunting darkness associated with the Southern gothic school, but it also offers many-faceted characters caught in some of life’s profound dilemmas. In recognition of its excellence, My Sunshine Away won the Pat Conroy Southern Book Award for General Fiction. I was delighted when Walsh agreed to answer questions about his inspirations, writing techniques, and more.

S.W. What is appealing about the U.S. South in general as a setting? Would you ever consider writing a novel set somewhere other than the South?

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Paul Ruffin: Literary Champion of Working People

Paul Ruffin died in April of 2016, at the age of 74, leaving a literary legacy that numbered hundreds of poems, over a hundred short stories, as many essays, two novels, and countless inspired students, many of whom are successful writers themselves. Ruffin was born in Alabama, grew up in Mississippi, and spent most of his academic career at Sam Houston State University where he directed the creative writing program and founded the Texas Review and the Texas Review Press. In 2009, he was named the Texas Poet Laureate. Despite winning many awards and earning the praise of some of America’s best writers, like so many others labeled “a writer’s writer,” he never made a best-seller list. His fictional characters tend to be ordinary, rural people trying to survive in a world in which the odds seem stacked against them, his poems illuminate the nuances in that world that sometimes almost even out those odds, and his essays reveal his personal wagers against and reflections upon the gambles we all take with every move in this world of chance.

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Reading Elizabeth Strout as a Writer Would

A Writer Reads Elizabeth Strout

Writing fiction will change the way you read it. I often make a point of reading like a writer (to borrow Francine Prose’s book title), examining what the author is trying to do and how she’s doing it, determining what works and what doesn’t (and why), and looking for how this can help improve my own writing. It doesn’t stop me from reading as a reader—enjoying good literature and losing myself in fictional worlds—but I rarely lose sight of what the author is doing to and for me.

And when I read really good fiction—the kind that strikes a chord deep within—the writer in me usually has two reactions. First, I’m inspired and I want to rush to the computer to try to create a similar gift for my readers.

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KNOW THE MOTHER Shows What Flash Fiction Can Do

Though she loves to read novels, author Desiree Cooper found that her fiction comes from her in a much shorter form. “If there was no such thing as flash fiction, I would have had to invent it,” says the 2016 debut author of the collection of flash fiction titled Know the Mother. If you’re not terribly familiar with flash fiction, which works to tell an evocative story in a very compressed space, this lovely, haunting collection demonstrates just how effective and affecting this genre can be.

Mother’s stories have a strong common thread of dreams delayed or abandoned — suppressed under the weight of obligation — and of how identity is tied to those dreams. Who are we, really, if we’re never allowed to be who we want to be?

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Nobel Prize Winner Patrick Modiano’s Dora Bruder

Last year when the Nobel Prize in Literature went to Bob Dylan, many people responded with the question, Why? Two years earlier when the Nobel Prize committee named Patrick Modiano the recipient of its literature prize, another question was often asked, Who?

Though Modiano had published about thirty works in his native France, he was almost unknown in this country. Only a dozen of his novels had been translated into English, and the publishing house David R. Godine, which had published three of them, sold only about 8,000 copies.

The Nobel Prize changed that, and we readers are the beneficiaries.

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A Cozy House Full of Books

The holiday season finds me grateful for the profound reading experiences of childhood. Remember when reading a book was living the book? Certain books and authors left a mark on my reading, my writing, and my life. And for the reading of my childhood, I owe special gratitude to my great-aunt Mildred Campbell.

My grandfather’s baby sister Midge was small but mighty. She grew up on the family’s strawberry farm in Tennessee. Witty and determined, Mildred became a history professor at Vassar College. Her cozy house on College Avenue in Poughkeepsie was full of books─including a shelf for the Oxford English Dictionary. She loved books and words; talked a lot; read a lot; wrote a lot.

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Book Review: The Bowl with Gold Seams

I’ve written frequently about my admiration for small-press publishing, folks who are driven more by their love of the written word than by any expectation of making a commercial killing. It’s that willingness to simply go with what they love that leads many small presses to build impressive catalogs of work by authors of remarkable talent. This month I’m highlighting another example of this marriage of small press to big talent.

I originally heard about Ellen Prentiss Campbell from several sources almost simultaneously, one of which was our shared publisher. As small presses go, publishers don’t come much smaller than Apprentice House Press, run out of Loyola University. Of unique note, though, Apprentice House is both non-profit and student-run. Students learn by doing; authors get unparalleled input into the creative process behind bringing a traditionally published work into print.

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Nonfiction – A Writer’s Ally for Nuance

Researching a novel can involve more than history books, archives, and the other usual resources for honing details of terrain, lifestyle, time. What about describing emotions, personality, and the intangible nuances?

The subject came to mind in riding along with a police officer on patrol. I asked the officer what resources she found helpful and that led to a conversation about lying. One book she found very useful, the police officer said, was Spy the Lie by Philip Houston, Michael Floyd, and Susan Carnicero with Don Tennant. The authors are former CIA officers who use a methodology developed by Houston to detect deception in the counterterrorism and criminal investigation realms. They show how these techniques can be applied in our daily lives.

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Short Story versus Novel Writing

I consider myself a novelist not a short-story writer. In fact, I’m not satisfied with any of the three-dozen shorts in various stages of development that occupy a directory on my harddrive. Writing short stories is very different than writing novels. Some people think it’s best to start out with shorts and then move on to novels. That may work for some, but to me it’s like thinking you would be good at bull-riding because you can ride a horse.

A novel is not just a long short story. Psychologically it requires a much greater commitment because it can take months or even years to complete a 90,000-word novel. Most short story writers don’t need help deciding when their story is ready for public consumption.

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Musings: Writer’s Brain, or, Whose Story Is It?

On a recent trip to Florida, my husband, some friends, and I took a short boat ride out to an uninhabited barrier island. We hiked out to the beach, and they pulled up a seat while I continued on to hunt shells. I was perhaps a quarter mile away when I decided to take a quick dip to cool off. As I turned to go back to shore, a searing pain burned through my foot. I stumbled out of the water, fell onto the sand, and watched as blood pumped with every heartbeat from the top of my foot. The pain threatened to cause a blackout.

Here are the things that went through my mind as I sat there:

I can’t put any weight on my foot.

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When Your Favorite Author Breaks Your Heart

Musings: When Your Favorite Author Breaks Your Heart

I’m a frequent reviewer for both the daily Washington Independent Review of Books (WIRoB) and the quarterly Historical Novels Review of the Historical Novel Society (HNS). As an author and avid reader, I find that reviewing offers a host of benefits for me. Not only do I end up reading books outside my normal genre preferences, which is good for me as a writer, it also introduces me to wonderful debut authors about whom I then get to spread the good word. Completely selfishly, it’s also pretty cool to have, say, Viking or FSG quote me in a tweet to their vast legions of followers.

But the cherry on top of the pie is the chance to review my favorite authors’ latest books.

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6/10/2016. CAN A MOVIE BE AS GOOD AS THE BOOK?

6/10/2016. CAN A MOVIE BE AS GOOD AS THE BOOK?

I love movies almost as much as I love books. And, thanks to Netflix, I watch as many of them as I can. Unfortunately, movies based on high-quality fiction rarely seem to achieve the richness of the original novels. Nevertheless, novels have become popular sources for movies. Of the eight movies nominated for the 2016 Best Picture Oscar, four were based on novels. Three of those offered stories that didn’t interest me, but I was eager to see Brooklyn. In my opinion, it was an all-right movie, but even though I haven’t read the novel, I kept thinking the novel surely offered so much more. The main character, Eilis Lacey, was appealing but not engaging.

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