In today’s environment of openness and explicitness, when virtually anything can and will be said and written, it’s a logical assumption that our level of communication and understanding is higher than ever—that very little is left to be revealed.
This has always intuitively seemed wrong to me, but it was the happy coincidence of reading Andrew Sean Greer’s best-selling novel, Less, and Anthony Trollope’s 1867 opus, Phineas Finn, more or less together, that helped me understand why.
If you’re not familiar with Trollope, or with
Victorian writing generally (or, for that matter, with Henry James, the primary
link between 19th and 20th century aesthetics and
sensibilities), it helps to know that these novels are really, really long.