A Book That’s Music to the Ears
The book group I facilitate at a senior center was humming with excitement at our recent meeting. Our book was The Music Shop by Rachel Joyce, and all ten readers loved it.
We’ve had plenty of lively meetings at which some members expound, politely of course, on why a book isn’t at all good and others on why it’s stunningly beautiful. The only dissension this time was over which character was the most interesting, which scene the most beautiful, or which description of music the most memorable. There were many to choose from.
In every chapter Joyce names at least one composer, composition, singer, or songwriter. I counted about 80 total in the book, ranging from Pérotin’s Beata Viscera of the 13th century to Michael Jackson’s Bad of 1987, the year before most of the book’s action takes place.
spring from experiences in the author’s life. Other times they explore experiences the author never had but wonders about. Recently I read two very good novels that were heavily influenced by horrific events of the recent past, and they started my thinking about how authors can use such events to give life to engrossing characters and spellbinding stories.
017, barely eleven months after the Brexit vote, and it serves partially as a novel of protest over what Smith clearly believes was a misguided decision by Britain to leave the European Union. 
I’ve now read all of his books, and, as a writer, I’ve learned a great deal from him about technique, especially point of view and his use of time. I Refuse, Pettersen’s most recent novel, captures the main characters’ lifetime in a compressed space.
