Author Archives: Terra Ziporyn

WHAT’S YOUR FAVORITE BOOK ABOUT SOCIAL DISTANCING?

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One “silver lining” of the COVID-19 pandemic has been time (dare I say too much time?) for reading. I am plowing through my library, and may even complete my lifelong quest to finish Proust. I’m also drawn to books about social distancing, pandemic-inspired and otherwise.

I know I’m not alone here. The movies and documentaries about plagues and pandemics topping Netflix’s lists make that obvious. So do recent book club suggestions to resurrect books like Love in the Time of Cholera and Station Eleven. So I thought it might be fun this month to see what other books about pandemics, plagues, quarantines, exile, and/or social distancing homebound readers have found.

Socially Distant Stories

As both an historian of medicine and science writer, I have many books about plagues and pandemics on my bookshelves.

AUDIOBOOKS AND ACCENTS

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How does the narrator's accent shape the reading experience?
How do a narrator’s accent and voice shape the audiobook experience?

Do a narrator’s accent and voice necessarily enhance the audiobook experience, even if they differ from the author’s? Clearly some audiobook producers think so. But would the author agree? The reader/listener?

I pondered audiobooks and accents in last month’s blog (The Narrator’s Accent). It turned out that I wasn’t the only one with strong opinions on the subject.

Most people who responded turned out to be fans of accented audiobooks. In this month’s blog, I share some of their responses.

The Audiobook Experience

Is a regional accent helpful in creating atmosphere? Or does it restrict a listener’s imagination? Does it pull you out of the story because you are struggling to understand the words?

THE NARRATOR’S ACCENT: VOICE AND AUDIOBOOKS

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How does the narrator's accent shape the reading experience?
How does the narrator’s accent shape the audbiobook experience?

Oh no, I thought, as Dominic Hoffman read the opening lines of Yaa Gyasi‘s Homegoing with what struck me as an African accent. Thanks to the narrator’s accent, I am going to struggle to understand this audiobook. Plus I was miffed to hear a man narrating a book written by a woman and following a matrilineal lineage.

My next audiobook experience evoked similar reactions. In Say Nothing, Belfast actor Matthew Blaney uses a thick brogue to read Patrick Raddon Keefe’s “true story of murder in mystery in Northern Ireland.” This time whether the voice was recognizably male or female didn’t bother me, however: gender seemed less central to the narrative, which involves a woman’s kidnapping, plus backstory about the IRA during the Troubles.

DOES HEARING A BOOK CHANGE THE BOOK?

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Getting exercise while "reading"
Hearing or reading a book? Does it matter?

Does hearing a book meant to be read with the eye change the author’s intent—or your experience of the book? Have any books changed for you when you read them versus heard them or saw them as a movie?

I asked these questions in last month’s blog. The result was a lively Facebook conversation–and lots of strong opinions.

I’m Not Alone

Last month I noted a clear split in one of my book club’s regarding Ann Patchett’s The Dutch House. Those who had read the book found it disorganized and could not identify with (or even identify) the protagonist. People who listened to Tom Hanks read the book (myself included) had no issues.

DOES HEARING THE BOOK CHANGE THE BOOK?

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I’ve been trying to move more lately for health reasons. Instead of scribbling at my desk 10 hours straight—or curled up nose in book—I’m trying to walk whenever possible. That is changing my reading experience, inclining me to audiobooks. It’s also making me wonder: does hearing a book change the book?

Getting exercise while "reading"
I”m finding it hard to change my lifelong couch-potato reading habits. I also find my efforts are changing my experience of reading.

Fighting the Audiobook Prejudice

I harp on audiobooks a lot in this blog. But the subject continues to intrigue me, undoubtedly because it’s such a big part of the reading experience these days. And I have to admit to a prejudice: I grew up thinking that reading with the eyes is somehow intellectually and morally superior to reading with the ears.

HARRIET ARDEN BYRD: A NOVEL REALM

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Harriet Arden Byrd
Harriet Arden Byrd

This month I had the pleasure of interviewing Harriet Arden Byrd (aka H.A. Byrd), author of the new fantasy novel Aru’s Realm. Like the novel itself, this “realm” is hard to shoe-horn into a category. A young girl who has caught the interest of a “master of magic,” Aru’s realm in some ways resembles the 19th century, including steam trains and horse-drawn carriages. In other ways, Aru’s realm is one we have never seen before, not only because it includes monsters and magic but also because it has many strong women and lacks the concept of war.

TZ: Your work has many roots in traditional epic fantasy but is distinct in having a pacifist bent–and also in centering on strong female characters.

THE CO-WRITING EXPERIENCE

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An Interview with Co-Writers Michael J. Tucker and Tom Wood

Michael J. Tucker
Tom Wood

I’ve co-authored non-fiction for most of my career, but never considered co-writing novels or short stories. Having complete control over the work has actually been one of fiction-writing’s chief draws for me–distinguishing it from the science writing, playwriting, and other collaborative writing I do.

But recently authors Michael J. Tucker and Tom Wood had made me re-think co-writing. They have just published a co-written, A Night on the Town. a short story about two strangers whose paths cross on a fateful rideshare encounter. 

Both were gracious enough in this interview to enlighten me about the co-writing experience.

TZ: A Night on the Town is written using alternating first-person voices—which strikes me as particularly well suited to co-writing because it gives each author the ability to develop a distinct character or characters (kind of like improvisational theatre).

(NOT) READING IN THE AGE OF COVID-19

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It turns out I’m not the only one having trouble reading lately. The struggles to get through a book seem pervasive as so many of us shelter in place–even for hardcore bookworms.

READERS HAVING TROUBLE READING

With all the holes in my calendar during the COVID-19 pandemic, I thought I’d be ripping through my library. Instead I find it hard to concentrate. So last month I asked if this sounded familiar.

It certainly did with most of my Facebook friends. Many reported having trouble reading as well. Most–many of them serious readers and some of them professional writers themselves–confirmed that they are having trouble concentrating on books these days.

I have yet to read an entire book during this pandemic

To my friend Nancy, having so much time to read ironically makes reading less precious, and less desirable.  

READING IN THE AGE OF COVID-19

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Like many friends, I thought a small silver lining of the COVID-19 shut-ins would be a chance to do a lot of reading. I was wrong.

I’ve been shut in for about 6 weeks now, and I’m still only on book number two. I haven’t made much progress on my backlog of magazines and journals either.

It’s Not Just Me

It turns out I’m not alone. Many friends have reported the same problem. They have plenty of time, and yet it seems to be consumed by Zoom calls and cleaning, daily walks, and the treacherous task of getting groceries.

It’s hard to keep your mind on the books when CNN keeps featuring Dr. Fauci.

Plenty of Books

Part of the excuse is that libraries are closed.

AN INTERVIEW WITH AUTHOR TODD LONDON

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Author Todd London

I grew up surrounded by a dazzling number of talented classmates in Evanston, IL. Many went on to become world-famous academics, politicians, actors, directors, screenwriters, playwrights, and novelists. Todd London, the author of the new novel If You See Him, Let Me Know, was one of those people.

Todd lived right down the street from me, and we went to junior high and high school together. We even attended the same summer camp. But neither of us ever realized that last part, partly because I was too shy and insecure (or perhaps too vain and self-absorbed) to connect with him.

Todd is now Head of the MFA Playwriting Program at the New School, School of Drama and the Director of Theatre Relations for the Dramatists Guild of America.

CALLING ALL AUTHORS

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Writers Wanted

Have you written a book lately (or not so lately)? We’re still looking for authors to be interviewed on Late Last Night Books!

Looking for authors with stories to share

Once again, I am looking for authors who want help publicizing their new books or writing projects–or, as before, even a not-so-newly published book–in future blog posts. In my experience, getting your name and work “out there” is the most painful part of being a writer. I’m hoping this blog can help make that process a little less painful for others–especially writers (and that’s most of us) who don’t have well-funded publicity machines working on our behalf.

In the past this offer has brought forth many talented writers, including Bill Woods, Nancy Burke, Lila Iona McKenzie, Anna Marsh, and Michael J.

READING SPOTS: BEYOND THE ARMCHAIR

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Reading in the clouds
Reading in the clouds

Last month I asked readers about the most unusual or challenging places they’ve ever tried reading. They came through with fantastic answers, confirming my hunch that diehard readers will read anywhere and everywhere.

Forget the Armchair

The “weird” reading spots I mentioned ranged from bathrooms to beaches, commuter buses to cliffs. Many people agreed–there are many more places to read in this world than armchairs and libraries. Beds and trains are among the top picks.

My friend Wheatleigh, for example, says his most unusual reading spot was probably the Shinkasen (Japan’s bullet train) while travelling at 200 mph. He did that a lot while living and working in Japan.

“Each station in Japan has a distinctive ‘eki ben‘ or station bento (lunch box),” he recalls.

WHAT’S YOUR WEIRDEST READING SPOT?

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Reading in the clouds
Reading in the clouds

The other day a blizzard blasted my husband’s daily walk in the woods. “Why not swim laps with me?,” I asked. (I was heading to the indoor pool across the street). He looked at me like I was insane. Didn’t I know that he cannot exercise without “reading,” i.e., listening to a book? And didn’t I know how hard it was to follow narrative while swimming laps?

I didn’t, though he may be right. I do enjoy audio accompaniment to exercise, but I have never tried stroking through a story. As a devoted and daily swimmer, I listen instead to music on my beloved swiMP3 (when it chooses to work). Some people might be able to synchronize swimming with reading—I’m just not one of them.

THE YOUNG AND THE HEADSTRONG

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Mrs. Piggle Wiggle

Last month I asked people to share their favorite headstrong women of literature. I was pleasantly surprised at the number of responses–though many responses were not exactly women, and, in at least one case, perhaps not even human.

Among the top answers were the kinds I was expecting. They included authors like Jane Austen, Louisa May Alcott, and Gertrude Stein who had written about strong, independent female characters and/or were notably strong and independent themselves. Some new names showed up on this list as well, including Jodi Picoult, Nora Ephron, Isabel Allende, Barbara Kingsolver, and even HIldegard of Bingen.

Other responses were female characters who clearly knew their own minds and felt empowered to live accordingly.

HEADSTRONG WOMEN OF LITERATURE

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Marjorie Morningstar--Cover

Recently I got an ad from The New York Review of Books featuring “headstrong women” paraphernalia in their Readers Catalog (pillow covers, tea sets, necklaces, that kind of thing). They meant “headstrong women” of literature such as Jane Austen, Louisa May Alcott, Gertrude Stein—women who took their lives into their own hands, I suppose.

Because I had just finished Herman Wouk’s novel Marjorie Morningstar, that email got me thinking about “headstrong” female protagonists. I can’t really say that Marjorie is headstrong. In the end she turns out to be quite conventional, at least externally, ultimately the poignant and ephemeral embodiment of a young man’s fantasy.

What on earth does headstrong mean anyway?

Still, Marjorie is in many ways a woman with a mind of her own, or at least a mind we got to see in depth in the novel.

FREEFALL: THE MAGIC OF AUTHOR LILY IONA MACKENZIE

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Author Lily Iona Mackenzie
Author Lily Iona Mackenzie

Lily Iona Mackenzie’s new novel Freefall: A Divine Comedy is a “coming-of-age” novel about four women turning sixty. As a woman of “a certain age,” this concept naturally caught my attention. The story of “wacky installation artist” Tillie Bloom and three friends from her teenage years follows the women’s lives over four decades in three countries, centered in the San Francisco Bay area, Whistler, BC, and Venice, Italy. The result is an imaginative, sometimes “hilarious,” romp with a touch of magical realism that also turns out to be a serious meditation on the relationship between art and mortality.

Besides Freefall, Mackenzie has published reviews, interviews, short fiction, poetry, travel pieces, essays, and memoir in over 160 American and Canadian venues.

SUMMER HAZE: AN INTERVIEW WITH MICHAEL J. TUCKER

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I had the opportunity to interview writer Michael J. Tucker this month about his new novel, Summer Haze. Mike is the author of two critically acclaimed novels, Aquarius Falling and Capricorn’s Collapse, the poetry collection Your Voice Spoke To My Ear, and the memoir A Disrupted Life. His short stories include the Amazon best-selling short story series, Katie Savage.

Tucker’s newest work, Summer Haze, is a coming-of-age novel about three gifted musicians who all overcome childhoods of verbal, physical, emotional, and sexual abuse but eventually bond as a band of singer songwriters . They play in dive bars throughout the South and casinos along the Gulf Coast, navigating the challenges of friendship, rivalry, success, and, eventually, loss.

THE ART OF WRITING

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NOTE: As part of an occasional “Writers on Writing” series I will be featuring occasional guest bloggers. Kicking off this effort is this piece by novelist Bill Woods. — Terra

GUEST BLOG BY BILL WOODS, AUTHOR OF THE NOVEL ORIENT BEACH AND NOVELLA AND SHORT STORIES THE MUSE OF WALLACE ROSE

Bill Woods

A few days ago, a Facebook friend sent me Van Gogh’s Starry Night, a surreal picture a 3rd grader might idly do with crayon. And yet it creates pure emotion in me. Neither I, nor intellectual art critics, can explain how an artist captures emotion on canvas—or how my brain a century later can extract that same emotion. I doubt Van Gogh had a clue either. The process seems to be: ‘Emotion > canvas > emotion,’ no thought required.

CALL FOR WRITERS (AGAIN)

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Writers Wanted
Writing something? Let me know!

Do you have a new book? Are you working on one? If so, please let me know.

I’m offering this call to help publicize new writers and writing projects here on Late Last Night Books. I’ll even help with a not-so-newly published book.

There’s no gimmick. I’m looking for writers to interview in future blog posts. Whatever your write or wrote or are writing, you almost certainly qualify.

Any kind of writing is fair game: fiction, non-fiction, poetry, plays, translations, and anything else involving putting words together. I’d love to know more about what you’re doing.

I’m offering up this space to writers in need of publicity once again because, frankly, the well has run dry.

CATCHING UP WITH WRITER NANCY BURKE

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Headshot of Author Nancy Burke
Author Nancy Burke. Photo by Martha Abelson Photograph

Nancy Burke is a writer, musician, and psychoanalyst who recently published her first novel, Undergrowth. In my mind, though, she remains a young girl who I saw annually at a mutual friend’s childhood birthday parties–so clearly I have a lot of catching up to do. In this interview, I had a chance to get the process started, at least it terms of Nancy’s writing life

That writing life has been prolific and diverse. In the years since those birthday parties, Nancy has received numerous writing awards and grants, and, as a psychoanalyst, has published non-fiction articles and edited the nonfiction book Gender and Envy. Also a songwriter, she has recorded two albums of her original songs: American Goodbye and a second scheduled for release later this year.