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Late Last Night Books

because so much reading, writing, and living happens after-hours

Late Last
Night Books
because so much reading, writing, and living happens after-hours
Since 2013
Gary Garth McCann, founder and managing editor
an ad-free magazine about fiction by authors Terra Ziporyn * Sally Whitney * Eileen Haavik McIntire * Gary Garth McCann * Peter G. Pollak * Garry Craig Powell * Jenny Yacovissi * Lily Iona MacKenzie * Todd S. Garth * Daniel Oliver
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Tag Archives: kafka

Writing in the Echo Chamber

Late Last Night Books
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GARRY CRAIG POWELL

Author of  Stoning the Devil

26 JANUARY 2017 Writing in the Echo Chamber

Much hand-wringing and self-examination has taken place since the US Presidential election about why so many people, political pundits and journalists included, were blindsided by the result. The ‘echo chamber’ as a metaphor for social media has been the most frequently cited cause. Nowadays most of us, the argument goes, get our news from Twitter or Facebook feeds. This is true, not only for the millennials, but equally or almost so for older generations. Because most of us are reading ‘news’ (more often opinion, when it comes down to it) from our friends, who are likely to share our views, there’s a danger that our prejudices are never challenged and that we live increasingly in a world that bears little resemblance to reality.

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A (Less Insular) Reading List for Students

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GARRY CRAIG POWELL

Author of  Stoning the Devil

26 JANUARY 2016 A (Less Insular) Reading List for Students

Having taught in an American university writing program for a dozen years, I am convinced that what my students need more than anything is to read more, and to read differently. Many of them do read a lot, but they are reading American writers and very little else. Recently I discovered that two of my most gifted graduate students had not read Graham Greene, which flabbergasted me. And this is not their fault–it’s the fault of the professors who keep feeding them the same predictable stuff. The obvious weakness of the contemporary fiction scene in the US (and of “Program Fiction”) is its homogeneity and its insularity.

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The Writer’s Responsibility

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GARRY CRAIG POWELL

Author of  Stoning the Devil

26 NOVEMBER 2015 The Writer’s Responsibility

The Writer’s Responsibility

In this age of global terrorism, impending war and inevitable ecological catastrophe, does the literary writer have any political responsibility? As a young man, I detested politics and saw myself as an aesthete. I would have answered that the artist’s role was merely to create works of beauty.

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Tell, Don’t Show

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GARRY CRAIG POWELL

Author of  Stoning the Devil

25 SEPTEMBER 2015 Tell, Don’t Show

9/26/15 – Tell, Don’t Show

Show, don’t tell is such an axiom of creative writing programs, and indeed of advice given to writers in general, that it is rarely questioned. The most recent author to visit the university program where I teach, for example, gave this advice to our students—and of course it’s sound, especially for the beginning writer, who is much more likely to err on the wrong side, of summary and exposition, including so few scenes that the writing remains dull. No less a master of fiction than Joseph Conrad said that the novelist’s task was to make the reader see, and who can doubt that that entails writing dramatic scenes most of the time? All the same, I have been pondering this question a good deal lately, and would like to share my reflections on why “show, don’t tell” has become such an unchallenged axiom—indeed an almost sacred Commandment—particularly in the United States, and what interesting alternatives to this strategy there might be.

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Talent or Genius? Is There a Difference?

Late Last Night Books
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GARRY CRAIG POWELL

Author of  Stoning the Devil

26 FEBRUARY 2015 Talent or Genius? Is There a Difference?

TALENT or GENIUS?

What is genius? How is it different from talent? Is it a matter of degree, or is it something altogether distinct?
In the past week on Facebook—admittedly not the most elevated forum, though I like to think that most of my friends are fairly bright—I have read that the following people are geniuses: JK Rowling, Prince and Stevie Wonder. I also read that Taylor Swift is extremely talented: she must be, said my friend, an intelligent person, because she is so widely popular. (I had perhaps foolishly, and certainly thoughtlessly, given the opinion that she was ‘completely talentless.’)

For a number of reasons, these comments disturbed me, and forced me to consider—yet again—whether it is possible to make any objective evaluation of the talent of an artist—Aesthetics 101—and also, if it’s possible to discuss the subject without simply getting into a curmudgeonly rant about declining standards, whether there is such a thing as genius, and if so, whether we might be able to define it

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