The recent demise of the Nobel Prize for Literature, whether it turns out to be temporary or permanent, may lead us to consider what criteria are taken into consideration for literary prizes, and indeed for judging works of literature at all.

A perusal of the list of winners of the Nobel from 1901 onwards makes it clear that the prize has often been awarded for political reasons—the clearest example is Winston Churchill’s winning it after the Second World War—and often for quasi-political reasons, such as the understandable and in itself laudable desire to recognise the work of writers working in lesser-known languages like Hungarian, Greek or Swedish. (Sweden has eight winners of the prize, perhaps unsurprisingly, which makes it the best represented country of all, proportionate to its population.) I am not suggesting that the Swedes have done worse than anyone else would have.