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Late Last Night Books

because so much reading, writing, and living happens after-hours

Late Last
Night Books
because so much reading, writing, and living happens after-hours
Since 2013
Gary Garth McCann, founder and managing editor
an ad-free magazine about fiction by authors Terra Ziporyn * Sally Whitney * Eileen Haavik McIntire * Gary Garth McCann * Peter G. Pollak * Garry Craig Powell * Jenny Yacovissi * Lily Iona MacKenzie * Todd S. Garth * Daniel Oliver
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Tag Archives: Milan Kundera

A Conversation with Roz Morris, Pt. 4: Not Just a Teacher – Making Time for Your Own Writing

Late Last Night Books
GARRY CRAIG POWELL

Author of  Stoning the Devil

26 APRIL 2019 A Conversation with Roz Morris, Pt. 4: Not Just a Teacher – Making Time for Your Own Writing

P

Roz Morris: We’re both writers. We’ve both taught and mentored authors as well. I find it’s a double-edged sword. Getting involved in another person’s creative process can be draining because you want to do your best for them.

Garry Craig Powell: It’s incredibly hard not to be drained by it—and that’s one of the best arguments I can think of not to become a creative writing teacher.

RM: Do you find it’s a struggle to protect your own creative mojo?

GCP: It’s a constant struggle, and most teachers fail to do so. During term-time, my own creative and intellectual energies were almost entirely absorbed by my students’ work. Sometimes, especially when working with highly-motivated, talented graduate students, that was worthwhile.

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The Writer’s Responsibility

Late Last Night Books
GARRY CRAIG POWELL

Author of  Stoning the Devil

26 NOVEMBER 2015 The Writer’s Responsibility

The Writer’s Responsibility

In this age of global terrorism, impending war and inevitable ecological catastrophe, does the literary writer have any political responsibility? As a young man, I detested politics and saw myself as an aesthete. I would have answered that the artist’s role was merely to create works of beauty.

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Tell, Don’t Show

Late Last Night Books
GARRY CRAIG POWELL

Author of  Stoning the Devil

25 SEPTEMBER 2015 Tell, Don’t Show

9/26/15 – Tell, Don’t Show

Show, don’t tell is such an axiom of creative writing programs, and indeed of advice given to writers in general, that it is rarely questioned. The most recent author to visit the university program where I teach, for example, gave this advice to our students—and of course it’s sound, especially for the beginning writer, who is much more likely to err on the wrong side, of summary and exposition, including so few scenes that the writing remains dull. No less a master of fiction than Joseph Conrad said that the novelist’s task was to make the reader see, and who can doubt that that entails writing dramatic scenes most of the time? All the same, I have been pondering this question a good deal lately, and would like to share my reflections on why “show, don’t tell” has become such an unchallenged axiom—indeed an almost sacred Commandment—particularly in the United States, and what interesting alternatives to this strategy there might be.

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