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Late Last Night Books

because so much reading, writing, and living happens after-hours

Late Last
Night Books
because so much reading, writing, and living happens after-hours
Since 2013
Gary Garth McCann, founder and managing editor
an ad-free magazine about fiction by authors Terra Ziporyn * Sally Whitney * Eileen Haavik McIntire * Gary Garth McCann * Peter G. Pollak * Garry Craig Powell * Jenny Yacovissi * Lily Iona MacKenzie * Todd S. Garth * Daniel Oliver
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Tag Archives: setting

2/1/2015 GUEST BLOGGER CLIFFORD GARSTANG

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2/1/15 GUEST BLOGGER CLIFFORD GARSTANG

Author of In an Uncharted Country and What the Zhang Boys Know . Editor of Everywhere Stories: Short Fiction from a Small Planet and Prime Number Magazine.

1 FEBRUARY 2015 2/1/2015 GUEST BLOGGER CLIFFORD GARSTANG

MORE THAN MERE SETTING

When we first study creative writing, we’re told that the principal elements of fiction are plot, character, and setting. My sense is that teachers of writing spend a good deal more time on plot and character than they do on setting. Perhaps that’s justified. After all, the plot of a novel or short story is essential, whether it’s an action-packed thriller or a psychological drama. Without the plot there is no story. And it is widely recognized that plot and character are inextricable. Plot—a convincing plot, anyway—arises from character, and the reader learns about the characters in a work of fiction from observing how those characters react to the complications that develop in the plot.

But what about setting?

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AUTHOR CLIFFORD GARSTANG IS GUEST BLOGGER ON FEBRUARY 1

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SALLY WHITNEY

Author of When Enemies Offend Thee and  Surface and Shadow, plus short stories appearing in journals and anthologies, including Best Short Stories from The Saturday Evening Post Great American Fiction Contest 2017.

29 JANUARY 2015 AUTHOR CLIFFORD GARSTANG IS GUEST BLOGGER ON FEBRUARY 1

01/29/2015   AUTHOR CLIFFORD GARSTANG IS GUEST BLOGGER ON FEBRUARY 1

For author Clifford Garstang, the setting in a story is crucial. As heClifford Garstang said in an interview here last month, “[Setting] is part of the reason I read fiction. I want to be transported, not only to whatever the story is but also to the place.” As you would expect, setting plays an important role in Garstang’s award-winning writing, including In an Uncharted Country, a collection of short stories, and What the Zhang Boys Know, a novel-in-stories. In Everywhere Stories: Short Fiction from a Small Planet, a collection that Garstang curated and edited, each story takes place in a different country. As our guest blogger on February 1, Garstang will explain why the best fiction uses setting as more than just a backdrop.

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