“If you don’t push against the mirror, how do you know you’re standing in front of it?” asks author Martin Pousson. His PEN award-winning novel Black Sheep Boy, also an L.A. TimesPick of the Week, inspired Susan Larson (NPR The Reading Life) to say: “An unforgettable novel-in-stories about growing up gay in French Acadiana, so vivid and almost fairy tale-like, drawing on folklore from the region, and yet so brutally realistic. Brilliant. I loved this book.” I loved it too, for Pousson’s poetic prose, among other reasons. I’ve been able to ask Martin Pousson a few questions about the novel. His answers reflect his literary acuity.
Among books I pulled off my shelves in search of especially interesting beginnings, Robert Penn Warren’s All the King’s Men struck me not only because it’s captivating but because it captivates by description. I must warn the reader, however, that this 1947 Pulitzer Prize-winning novel is set primarily in the U.S. South between the two world wars, and its first-person narrator employs racist slurs as a matter of course. But, really, isn’t it better that we face our heritage as a country of slavery and racism?
So if you are willing to accept being shown in the national mirror something we are collectively ashamed of, I ask whether you’ve ever read better descriptive prose than Warren’s beginning of All the King’s Men or whether you’ve ever been more drawn into a book by a descriptive beginning?