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Late Last
Night Books
because so much reading, writing, and living happens after-hours
Since 2013
Gary Garth McCann, founder and managing editor
an ad-free magazine about fiction by authors Terra Ziporyn * Sally Whitney * Eileen Haavik McIntire * Gary Garth McCann * Peter G. Pollak * Garry Craig Powell * Jenny Yacovissi * Lily Iona MacKenzie * Todd S. Garth * Daniel Oliver
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Tag Archives: audiobook experience

THE NARRATOR’S ACCENT: VOICE AND AUDIOBOOKS

Late Last Night Books
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TERRA ZIPORYN

Author of The Bliss of Solitude, Time’s Fool, Do Not Go Gentle, and the new novel Permanent Makeup as well as many nonfiction works including The New Harvard Guide to Women’s Health, Alternative Medicine for Dummies, and Nameless Diseases.

4 NOVEMBER 2020 THE NARRATOR’S ACCENT: VOICE AND AUDIOBOOKS
How does the narrator's accent shape the reading experience?
How does the narrator’s accent shape the audbiobook experience?

Oh no, I thought, as Dominic Hoffman read the opening lines of Yaa Gyasi‘s Homegoing with what struck me as an African accent. Thanks to the narrator’s accent, I am going to struggle to understand this audiobook. Plus I was miffed to hear a man narrating a book written by a woman and following a matrilineal lineage.

My next audiobook experience evoked similar reactions. In Say Nothing, Belfast actor Matthew Blaney uses a thick brogue to read Patrick Raddon Keefe’s “true story of murder in mystery in Northern Ireland.” This time whether the voice was recognizably male or female didn’t bother me, however: gender seemed less central to the narrative, which involves a woman’s kidnapping, plus backstory about the IRA during the Troubles.

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