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Late Last Night Books

because so much reading, writing, and living happens after-hours

Late Last
Night Books
because so much reading, writing, and living happens after-hours
Since 2013
Gary Garth McCann, founder and managing editor
an ad-free magazine about fiction by authors Terra Ziporyn * Sally Whitney * Eileen Haavik McIntire * Gary Garth McCann * Peter G. Pollak * Garry Craig Powell * Jenny Yacovissi * Lily Iona MacKenzie * Todd S. Garth * Daniel Oliver
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Tag Archives: Cervantes

How to Write Like Gabriel Garcia Marquez

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GARRY CRAIG POWELL

Author of  Stoning the Devil

26 OCTOBER 2016 How to Write Like Gabriel Garcia Marquez
  1. In your next incarnation, be born in Colombia, or anywhere that the beliefs of a traditional culture clash with those of western rationalism.
  2. Work as a journalist. Learn the importance of close observation. Learn how everything has political causes and repercussions. Understand that however extravagantly unique an individual may seem to be, he is as typical of his society as an animal is of its herd.
  3. Steep yourself in great literature: the Greek tragedians, for their belief in the implacability of fate; the great North Americans, especially Faulkner and Hemingway, for their disciplined, tightly-controlled storytelling; and the modernist masters like Joyce and Woolf, for their streams-of-consciousness and lyricism.
  4. Forget everything you’ve ever heard about how to write fiction. Tell, don’t show.
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WORLD’S FIRST NOVEL—AND THE WINNER IS…

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TERRA ZIPORYN

Author of The Bliss of Solitude, Time’s Fool, Do Not Go Gentle, and the new novel Permanent Makeup as well as many nonfiction works including The New Harvard Guide to Women’s Health, Alternative Medicine for Dummies, and Nameless Diseases.

4 FEBRUARY 2016 WORLD’S FIRST NOVEL—AND THE WINNER IS…

The Golden Ass, a Contender for World's First Novel

I just finished reading Sarah Ruden’s acclaimed translation of The Golden Ass, a 2nd  century AD, a  classic and wonderfully ridiculous work that has been called the world’s first novel. And then it dawned on me: just recently I had read (and blogged about) a couple of other first novels of sorts, The Tale of Genji and Don Quixote. I started wondering: just how many novels have claimed this title? 

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A (Less Insular) Reading List for Students

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GARRY CRAIG POWELL

Author of  Stoning the Devil

26 JANUARY 2016 A (Less Insular) Reading List for Students

Having taught in an American university writing program for a dozen years, I am convinced that what my students need more than anything is to read more, and to read differently. Many of them do read a lot, but they are reading American writers and very little else. Recently I discovered that two of my most gifted graduate students had not read Graham Greene, which flabbergasted me. And this is not their fault–it’s the fault of the professors who keep feeding them the same predictable stuff. The obvious weakness of the contemporary fiction scene in the US (and of “Program Fiction”) is its homogeneity and its insularity.

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DON QUIXOTE ON TAPE

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TERRA ZIPORYN

Author of The Bliss of Solitude, Time’s Fool, Do Not Go Gentle, and the new novel Permanent Makeup as well as many nonfiction works including The New Harvard Guide to Women’s Health, Alternative Medicine for Dummies, and Nameless Diseases.

4 OCTOBER 2015 DON QUIXOTE ON TAPE

10/04/15 – DON QUIXOTE ON TAPEDon Quixote Cover

My book club is reading Don Quixote – and they’re hating it. This is an erudite group. They have plowed their way through ponderous and elusive authors like Faulkner and Jane Austen. They’ve devoted long hours to devouring All the King’s Men and The Tale of Genji. But Don Quixote is killing the best of them. And I think I know why. They’re all listening to, not reading, the book.

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Tell, Don’t Show

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GARRY CRAIG POWELL

Author of  Stoning the Devil

25 SEPTEMBER 2015 Tell, Don’t Show

9/26/15 – Tell, Don’t Show

Show, don’t tell is such an axiom of creative writing programs, and indeed of advice given to writers in general, that it is rarely questioned. The most recent author to visit the university program where I teach, for example, gave this advice to our students—and of course it’s sound, especially for the beginning writer, who is much more likely to err on the wrong side, of summary and exposition, including so few scenes that the writing remains dull. No less a master of fiction than Joseph Conrad said that the novelist’s task was to make the reader see, and who can doubt that that entails writing dramatic scenes most of the time? All the same, I have been pondering this question a good deal lately, and would like to share my reflections on why “show, don’t tell” has become such an unchallenged axiom—indeed an almost sacred Commandment—particularly in the United States, and what interesting alternatives to this strategy there might be.

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