Why do I call Emily Mandel’s Station Eleven a utopian dystopia? Her story echoes the tradition of dystopian novels from 1984 and Brave New World to more recent books like McCarthy’s The Road and Veronica Roth’s Divergent by positing a pandemic that wipes out the vast majority of the earth’s population in a matter of days, but the ending, which I will get to, is more optimistic than most. (Continue Reading)
4/04/2015 – ENDINGS: MUSINGS ON STATION ELEVEN
As I pulled into the last paragraph of Emily St. John Mandel’s post-apocalyptic novel Station Eleven, I flipped to the last page to confirm I was nearing the end, trying to concentrate on every word and how it felt to read it because everything was about to change. I often play this game when nearing the end of an engrossing novel, superimposing my awareness of the impending close over the experience of still being in the story, doing whatever I can to prolong the moment and appreciate the incompletion. I know that yet another world is about to end for me, and I want to savor every remaining moment before I am shut out forever. (Continue Reading)